“…the artist is a self-critically engaged agent in particular situations, calling for reclamation of the sacred and the future in a world that seems in many ways to be dying.” – Deborah Haynes
Gonzaga University presents Mr. Burns: a Post-Electric Play by Anne Washburn, with music by Michael Friedman and lyrics by Anne Washburn. Mr. Burns asks, what will endure when the cataclysm arrives? When the grid fails and society crumbles, how will we sustain ourselves and rebuild? An imaginative dark comedy, Mr. Burns propels us forward nearly a century as a new civilization reaches into the past for stories that give meaning to a new future as a group of survivors try to remember the “Cape Feare” episode from The Simpson’s television show. This memory and other pop-cultural artifacts evolve into myth and then into ritual for the post-apocalyptic society. A paean to live theatre, musical theatre, and the resilience of Bart Simpson, Mr. Burns is a lively, dynamic exploration of how the pop culture of one era might evolve into the mythology for the next. Directed by Charles M Pepiton. Scenic design by Courtney Smith. Costumes design by Leslie Stamoolis. Lighting design by Ronn Campbell. The production was selected to perform at the Kennedy Center American College Theatre Festival, Region VII in Denver, Feb. 20-25, 2017. (Click here for more information.)
Most Recent Projects:
Heroes – Without Décor
Without Décor presents a script-in-hand reading of HEROES by Gérald Sibleyras, Translated by Tom Stoppard. Set in the warm days of August 1959 in a French retirement home for veterans of the First World War, HEROES tells the story of three colorful, playfully mischievous older gentlemen—Henri, Phillipe and Gustave—residents of the home who have “commandeered” garden terrace of the convent hospital from which they are planning their escape. Directed by Charles M Pepiton. Featuring actors Bill Caisley, Jere Hodgin, Brian Tyrrell, and David Harlan. Playing 16 -17 December 2016 at the Prichard Art Gallery in Moscow, ID. For more information and tickets, contact Without Décor.
Laura, or Scenes from a Common World is a cinematic poem. An original work from Square Top Theatre and our first project for the screen, Laura explores the borderlands between film, theatre, dance, literature, and the contemporary fine arts. It combines visceral physicality, lyrical poetry, and evocative cinematography to tell the story of one woman’s struggle to overcome her wounded past and her steps toward empathy. In this spare drama, inspired by Ovid’s Apollo and Daphne myth, Laura struggles to root herself in a foreign land and to embrace the quiet consequence of the common world around her. The project draws together artists from across the globe. Theatremaker Charles M Pepiton (USA/Washington), poet Damon Falke (USA/Norway), and artist Wes Kline (USA/New Mexico) previously collaborated on Square Top Theatre’s Now at the Uncertain Hour. For Laura, this team will be joined by printmaker Rebekah Wilkins-Pepiton (USA/Washington), costume designer Leslie Stamoolis (USA/Washington), performer Alexandra Kazazou (Greece/Poland), and movement director Daniel Han (USA/Australia). An official selection of 2016 AVIFF Cannes (May 17-19, 2016) and Cinema on the Bayou in Lafayette, Louisiana (Jan 25-Feb 1, 2017). (Click here for more info.)
Freud’s Last Session
Freud’s Last Session by Mark St. Germain “centers on legendary psychoanalyst Dr. Sigmund Freud who invites the young, rising Oxford Don C.S. Lewis to his home in London. On the day England enters World War Two, Freud and Lewis clash about love, sex, the existence of God, and the meaning of life, just weeks before Freud took his own life. Freud’s Last Session is a deeply touching play filled with humor and exploring the minds, hearts and souls of two brilliant men addressing the greatest questions of all time.” Produced by Wayland Baptist University. The cast features Marti Runnels as Freud and Cory Norman as Lewis. Scenography by Mark Kirk. The production opened at WBU in April 2016 before moving to Lubbock, Texas, in May 2016, which included a panel discussion with Irish philosopher and storyteller Peter Rollins. It then performed at Gonzaga University‘s Magnuson Theatre on September 9-10, 2016. (Click for more info.)
A Story of America Goes Walking – Shechem Press – May 2016
Worked to coordinate and publish poet Saara Myrene Raappana and artist Rebekah Wilkins-Pepiton‘s collaborative response to Thoreau’s essay “Walking”, offering a new American mythology in words and images.
This is the story of / A bunch of amazing local artists / Teaming up with the world-class Spokane Symphony / To reimagine / PETER & THE WOLF!
Book of Hours – Gonzaga University – February 2016
Gonzaga University presents a highly physical, devised theatrical event. Written in 1899 when the poet was just 23 years old, Rilke’s Book of Hours remains a startlingly raw and relevant collection of love poems to the divine. Rilke writes as a young man desperate to forge his own understanding. He loves. He doubts. He struggles for meaning in an uncertain time. Devised by the ensemble and based on Book of Hours by Rainer Maria Rilke as translated by Joanna Macy and Anita Barrows. (Click here for more info.)
A first-of-its-kind collaboration between the Spokane Symphony and Terrain, pairing some of Spokane’s most inspiring emerging musicians, performers, and authors with the full force and might of the Spokane Symphony. (KPBX Radio Interview)
Refractions by Stephen C. Behrendt – Shechem Press – September 2014
Worked to coordinate and publish poet Stephen C. Behrendt’s fourth collection of poetry. The five part collection includes original woodcut prints from artist Rebekah Wilkins-Pepiton
Now at the Uncertain Hour – Square Top Theatre – May 2014
An intriguing theatrical event from Square Top Theatre for live performance, online streaming, and broadcast radio written by Damon Falke. The premiere performance reached a combined live onsite/offsite audience of 46,053. The show takes the audience on a journey through the landscape of a soldier’s memory as a collector attempts to make sense of what will be left behind. The show asks: in the midst of the relentless currents of time, what can we take hold of that will go on, that will not be lost? The stories blend with the sounds of old time banjo and modular synthesizer to create a unique listening experience. The show premiered in May 2014 at Edwards Opera House, on North Country Public Radio, and online at NCPR.org. (Click here for more info.)
Double Edge Theatre – Winter Training Intensive – January 2014 (Participant)
An immersive introduction to Double Edge Theatre’s 31-year-old original training methodology layering individual and group work, rigorous physical training with improvisation, design, dramaturgy, the voice, and work with objects and flying.